A fairly new face to the fashion scene, but fast growing in
popularity, Timur Kim had audiences queuing round Freemasons Hall for a glimpse
of his take on AW13. Focusing on dresses and skirts with the exception of two
trouser suits near the opening of the show, Kim's designs were super feminine
yet demure.
Using inspiration from his native Russia, Kim produced
prints based on baroque patterns and ceilings at the Hermitage Museum in St
Petersburg, even keeping a nod to the Soviet with his show invites, featuring
caviar tins. These prints hark back to the sixties and seventies, featuring kaleidoscopic
and floral designs, but updated for a modern wearer in more minimal cuts and
shades of lavender, powder blues and browns with the occasional dash of pink
and teal. The print on print trend continues within the collection - however Kim steered clear of the print
clash and instead paired dresses with jackets featuring not matching, but
complementary prints.
Personally, the highlight of the collection was Kim's choice
of fabrics. Light, fluid silks formed the basis for many of the garments,
followed by more structured A-line skirts of iridescent taffeta paired with printed
white T-shirts - all paired off with the interesting decision to forgo towering
heels: the models wore flat masculine brogues. With this collection following
on from his beautiful offerings for the last season, Kim is surely one to watch
for the future.
Words & images: Laura Blair
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