CUB BEAUTY INTERVIEWS LAURENELLA:

Cub Fashion & Beauty Editor Sarah-Rose Harrison interviews upcoming beauty blogger and vlogger Lauren from Laurenella.


1. What initially inspired you start your YouTube channel?
I was inspired to start YouTubing after getting into watching others for a while-like essiebutton, meganisobel and dizzybrunette3.

2. What is the best thing about being a YouTube Beauty Guru?
I think the best thing about being on YouTube is that it seems to reach a wider audience than just blogging, and its nice to chat away!

3. The worst thing about being a YouTube Beauty Guru?
The worst thing about YouTube has to be the nasty comments-luckily I haven't had any so far but the bigger YouTubers get SO MANY.

4. What’s the best opportunity you've been given through YouTube?
Since I started blogging I've been lucky enough to get invited to a number of seriously cool events/parties, doing things I wouldn't get to do otherwise-like touring the London Dungeons after closing!

5. How much work is it to maintain a YouTube channel/blog behind the scenes? 
It does take quite a lot of time and effort to blog and YouTube, sometimes uni work gets on top of me and I don't get the chance to do it for a while, but I always feel really guilty for neglecting it.

6. What do you envision the future of YouTube and blogging to be?
I think a lot more people who blog are going to turn to YouTube as well, and brands are going to jump on board with it too. I'm sure in a years time my subscriptions box is going to be overflowing!

7. What’s the best advice to give to someone wanting to start out in a market that is already so saturated?
I think you have to realise that you're not necessarily going to be the next Tanya Burr. Just do what you want to do and have fun with it

8. What’s your desert island Beauty product?
My desert island beauty product has got to be my NARS Orgasm blusher. It's my all time favourite and stops me looking like a zombie.

9. What is your biggest Beauty pet hate?
My biggest beauty pet hate is definitely false lashes so big they look like they're weighing your eyes down-particularly if you're only wearing them to pop down to the shops for a pint of milk!

10.What was your first ever Beauty purchase?
My first ever Beauty purchase that I remember was a black eyeliner-I think by Rimmel, and I used to use it SO heavily that I looked like a raccoon. 

BEHIND THE SCENES - MONOCHROMATIC SHOOT, ISSUE 547:

For what was (very sadly) the last issue of CUB this academic year we combined fashion and beauty in one ambitious shoot. With editors, photographers and models rushing between university and the shoot the whole affair was a high speed one! Despite being sunny it was absolutely freezing our Editor Sarah managed to convince our models Rosie and Fenn that they were actually on a beach in Barbados to counteract the bitter cold - however thanks to them and the rest of the team the photoshoot came out brilliantly - giving Lloyd plenty to photograph and me some great behind-the-scenes moments.

For more behind-the-scenes images from the shoot click here.

Laura Blair

GYM MAKE-UP: BEETROOT VS. BEAUTY

 image from teawithhunni.com

  
History Student Elyse Clarke discusses the issues of vanity within the gym:

Recently my housemate and I have been trying to shift a few pounds, which has involved our renewed effort to go to the gym being undermined by our greater effort to convince ourselves that midnight pizza is a good idea. It’s not. Anyway, during one recent visit to the gym I was sweating away on the treadmill when I looked to my right and saw what I can only describe as some sort of gym angel bobbing along beside me. Whereas I end up resembling a human beetroot when I exercise, this girl was the embodiment of the ‘exercise glow’ - that elusive side effect of exercise that I have read so much about in magazines, but has sadly eluded me. So what are the rest of us supposed to do? To prevent the beetroot from making a public appearance, is it ok for those of us who aren’t lucky enough to ‘glow’ post-gym to cover up with make-up or is it an excessive vanity?

I do wear makeup to the gym, but my rationale is that it is purely defensive. I usually pop on some BB cream to tone down the impending redness, eye shadow through my brows to prevent the ‘egghead’ and maybe some mascara (just because). I think that if I’m not worrying about what I look like (human beetroot sans eyebrows) then I’ll work harder at the gym, look and feel better and thus eventually achieve inner Zen. 

Issues of vanity and Zen aside, there are questions about how good it is for your skin to wear a full face of makeup while exercising. If you’re doing it properly, you should be sweating and sadly your face is not an exception to this. As your pores open up to release the sweat, make-up can seep down and clog them, resulting in spots, dull skin and pesky blackheads. There is, therefore, something to be said for letting your skin breathe while you exercise because as you sweat, you sweat out toxins. Ever wonder why there’s that faint smell of alcohol floating around you if you brave a hangover gym session? You are literally sweating it out. Make-up can become a barrier and trap in what your body is trying to expel. Another more visible downside to wearing make-up (particularly heavy foundation) to the gym is that you are vulnerable to the sweat-tache and other similar side effects that can occur when you combine with foundation with sweat and gym towels.

Your best bet if you can’t go to the gym totally bare faced is to go for the lightest options – a tinted moisturiser, BB or CC cream – which will tone down any redness without effectively sealing over all your pores like a long-wearing foundation. And afterwards, make sure that you thoroughly wash and exfoliate your face to prevent any clogging of your pores.

What do you think is an acceptable amount of make-up to wear to the gym? Is it OK for girls slap it on before hitting the gym or should we go unashamedly barefaced, beetroot be damned?

#4 WHAT'S IN MY MAKE-UP BAG?

Freelance writer and second year student Eleanor Doughty shows us what's in her Make-Up bag: 

Now then, excuse me for being that girl, but I have a confession to make.  I like my makeup simple.  Preferring to stick to sixties doe eyes and an insouciant natural skin tone, my daily routine is less than arduous. 

Both fortunately and unfortunately, my job has enabled me to try such a great array of new products that I scarcely have room for them.  Beauty sales have happened in my bedroom, no kidding.  If you see me in my two most regular (sigh) E1 hangouts, the library and the gym, this post won't make so much sense; I am usually almost makeup free.  Suffice to say, I don't really look like a fashion and beauty journalist a lot of the time, whatever we’re supposed to look like.

Despite my makeup bag overflowing to the point where I actually had to buy a cabinet for everything, I'm pretty laid back about it.  I enjoy getting dressed and ahem, beautified far too much to want to do it every day.  Only when I am in the office full time - now a growing commonality - do I deign to spend the necessary time sixties-fying myself.

Diorskin Nude BB Crème (£30)

Shockingly, I don't wear foundation and never have- occupationally, this has proven tricky when trialing products and working on features.  Upon the arrival of Dior's BB cream in the courier post some months ago, I felt dishonourable to my standard routine, as it became a soft staple to my morning routine.  Designed to provide a soft, blemish-free backdrop to the skin, Dior's rosy cream is the most delicate I am yet to road test.  In my sampling wisdom of late, that is high praise.  It isn't so perfect for your purse, clocking in at £30, but for the amount you need to use in the morning, it's more than an investment piece.

www.dior.com

Bare Minerals powder blush (£19) / Chanel blush (£31)

I was lucky enough to be given a complementary session at the wonderful Bare Minerals boutique in Covent Garden for this addition to my makeup bag/drawer/life.  As all my individual products were chosen precisely for my skin tone, I completely hit the jackpot with Bare Minerals' divine powder blush.  You only need use the tiniest amount as the powder is incredible dense, but that makes it the most valuable possession.  I switch between Chanel's actually-smells-like-roses blush Joues Contraste too as this is probably the most incredible piece of makeup that I own, but I use it very sparingly so as to only enable its goodness for the very special occasions.

www.bareminerals.co.uk

www.chanel.com

Estee Lauder Two Tone mascara (£25)

Another press trial and another all-too-regular makeup bag staple comes from the team at Estee Lauder.  Introducing, Two Tone Eye Opening Mascara.  Bit of a mouthful, but so worth it.  On first impressions it appears gaudy, a little overdressed in its entire golden splendor, and a little heavy.  With two ends, a brown wand for the bottom lashes and a deep black for the top, the famous EL, as it has been known in our flat, is perfect for recreations of Twiggy's wide-eyes.  And on a makeup day, that's always me.  You know when you've met the one, and this is mine.

www.esteelauder.co.uk

Sephora Rouge Cream Mr. Lover lipstick ($12)

Some like it hot, some like it red…I like it pink.  Lipstick, that is.  I have been on the pursuit of the perfect pink lipstick for longer than I care to remember.  I have requested pink trios of lipstick from every brand I can find, been gifted packages of many, many that just weren't quite right.  Chanel sent some, Bare Minerals sent some, even Dior.  Dior's Swan comes almost perfectly close to a day-night perfect pink, but I am a little more swayed by Sephora's Mr Lover.  I admit it's not the pink I have been daily-searching for, but hot pink is a happy substitute.  Even if the name alone takes your fancy, it comes with Shard-high recommendations.  Of many of the lipsticks I have tried and failed at using, Sephora's Rouge Cream has most consistently delighted.  It doesn't fade, smear or wear off- it's never out of place and the colour fixes all day.  Okay so a little comes off on a wine glass here and there, but we're all winning in that scenario.  Disappointingly, Sephora still don't ship to the UK which is the biggest nuisance, but happily various European/North American dwelling friends are only too willing to post packages home to London in cases of extreme Sephora-itis.  I am only too inclined to buy Sephora makeup, that's how good it is.

www.sephora.com

Enter Pronoun Blacknailed eyeliner $28

Bizarrely, visiting Enter Pronoun's website brings up a header describing 'a unisex makeup collection'.  This hasn't stopped me from using their divine Blacknailed eyeliner every single day since it popped through into my in-tray during the summer.  The blackest black felt tip pen is the easiest eyeliner I have had the pleasure of using, even trumping my long-term BFF, Sephora's Long-Lasting 12HR Wear to the top spot.  Enter Pronoun's silver-packaged simple liner has never let me down, even in moments of flash flood, knee-jerk emotions or puddle-splashed-in-face-on-Curtain-Road (yup, that definitely happened), I have not been left resembling a panda.  And it's not even specifically waterproof, which I figure is even better.  Coming in at $28, it's not the cheapest eyeliner you'll ever use, but it might just be the best.

www.enterpronoun.com

RETROSPECTIVE

CUB Photographer and English Student Lloyd Ramos shares his utterly stunning

 photographs from the Retrospective Show at Bloomsbury Hall with us:

Vintage stores and designers including One of a Kind, Catherine Walker, Bruce Oldfield, Barbara Hulanicki, and Christies assisted in running this season's Retrospective Vintage Fashion Show. Breathtaking one-off garments were showcased on the catwalk in a show which looks at past collections in order to provide an inspiration for the present and future. A huge variation of garments from the 1920's to the 1990's (including garments from classic and iconic designers such as Chanel, Valentino and Dior) were displayed. The make-up was kept classical and chic so as to not distract from the immense glamour and beauty of the stunning clothing, with understated contouring and eye make-up the only prominent feature was the gorgeous coral red lipstick. The models' hair also adhered to the classically chic brief with a simple but elegant pony tail completing the look.

Words: Sarah Harrison

Photos: Lloyd Ramos

ZIAD GHANEM

Final year History student Elyse Clarke reports from backstage and the catwalk at Ziad Ghanem:

For someone who is admittedly too obsessed with make-up, for my first London Fashion Week experience to be Ziad Ghanam’s show was like candy to a baby. I knew that Ghanam favoured avant-garde make-up looks in his shows and his A/W 2013 show “Candy…. Darling?” proved to be no exception. Inspired by the actress Candy Darling, one of Andy Warhol’s ‘Warhol Superstars’, the heavy contouring, bright colours and fully painted faces that came down the catwalk were so refreshingly different to the minimal make-up that so often graces the catwalks. As fellow make-up junkies will attest, piling it on is half the fun and Ghanam’s team did just that.

Backstage the key makeup artist told me that the look they were going for was a very linear, contoured and bright make-up with an emphasis on the eyes and lips. While some models were given a relatively pared down look with a twist on the smoky eye, she said that Ghanam tends to lean towards an almost Drag Queen aesthetic for his shows (which makes sense given that I’m pretty sure a few of the models actually were Drag Queens!). Each model had different make-up but all had elements of the overall look of the show – serious cheekbones, eyelashes up to the sky and a great sense of fun. The products used to create these looks varied but there was a lot of Illamasqua and MAC Pro floating around, which is unsurprising given the range of colours both brands make, with MAC Pro especially specialising in body paint. Individuality was the order of the day, as many models came dancing down the catwalk to the 80s soundtrack, their own tattoos on display and their personal style incorporated into Ghanem’s show.

The hair again varied in its style. Some models had their hair scraped back into buns, with the crown of their head sprayed bright yellow or blue. Others had big bouncy curls and voluminous up-dos dyed baby blue and red, while others simply had their entire head painted. The bold colours in the make-up and hair reflected the use of colour in the collection and lent a theatrical and fantastical element to the collection that made it come alive on the catwalk.

A final highlight of the show was witnessing Made In Chelsea’s Marc Francis and Victoria standing awkwardly in the middle of the runway pre-show because there were no seats for them in the front row. After a few more minutes of tiptoeing around, while simultaneously maintaining their pouts, the MIC stars were finally given some front row seats. Unfortunately for Marc, it was a ‘two between three’ situation and he was piggy in the middle, which, as he would say, was “so not chic.”

While I may not be sporting these extreme looks across campus any time soon, the make-up and hair at Ziad Ghanam show was fun, vibrant and refreshing, and it really was a joy to watch.

Words: Elyse Clarke

Pictures: Elyse Clarke

EDELINE LEE PRESENTATION

Linguistics student Flora Bartlett photographed the Edeline Lee presentation:

NOVA CHIU:

Ellie Morson reviews both Nova Chiu's AW/13 make-up and collection:

Collection:

Nova Chui’s upcoming Autumn/ Winter line boasts of vibrant colours that are bold enough to instantly capture anyone’s eye. However, if that’s not enough, the reflective geometric shapes that heavily adorn the ensembles are enough to keep the mind occupied for hours.

The line includes many pieces that are simplistic and A-line in shape, whilst all the sense of adventure remains reflected in the kaleidoscopic detailing of each design. Despite these shapes and reflective patterns appearing to capture a sense of modern edge, specific designs also seemed inspired by the likes of butterfly wings and flowers, as well as other gorgeous tones and shapes that are reminiscent of nature. Yet, the vibrancy of the colour choices, as well as the use of heavy embellishment also seemed to echo traces of Bollywood and Asia.

However, in consideration with the Autumn /Winter line, it appears that Nova Chui has also taken the opportunity to fully embrace the difference in season and shows the colourful, kaleidoscopic edge blending with the likes of Alaskan winter. Heavy fabrics, such as suede, fur, and velvet can all be seen in the designs and the use of these traditional wintry materials used to project such flamboyant and creative designs, creates a captivating collection that also maintains the sense of season.

Make-up & Hair:

Departing from the bold, the makeup seen on the catwalk and backstage was a different story, as the fresh faced models seemed to embrace a more understated, yet elegant look. Skin maintained a healthy glow, without being too overstated. It didn’t wholeheartedly take on the matte look, but also ensured that a ‘glow’ was appearing in all the right places through the use of a highlighter. Cheeks also veered away from the more rosy and pink shades, instead opting for neutral and peachy colours, as well as the use of heavy contouring to shape the face and add a hint of colour.

 Meanwhile, the eyes served to reflect the designs with only minor blending of the eye shadow, so as to leave a more defined shape, whilst maintaining the neutrality of the rest of the makeup. The lower lid typically appeared to remain lighter, whilst the shaping and definition came from the use of light and warm browns through the crease and extending out to the under eye area. This use of the more autumnal shades in the eyeshadow helped to define a winged and cat-eye shape, whilst remaining subtle. Eyeliner on the lower-lid was light or flesh-toned, further solidifying that fresh and neutral look; eyebrows were also kept to their relatively natural shade with a slight arch. Lips too remained on the down low with the use of natural nude shades that contained only a slight sheen.

As for hair, gone was wave and the straighter the better, as far as the Nova Chiu look was concerned. The sleekness and silkiness of the hairstyles were reminiscent of a shampoo advert, as the model’s tresses were extremely lengthy for the most part and layers appeared all but gone. Hair was kept poker straight, with a central parting and pulled back into the sleekest of half-dos or ponytails. Hair accessories also appeared to be out of sight as locks were often secured with clear/ thin bands and hair was even secured around itself, creating the ultimate minimalistic, ‘chic’n’sleek’ combo that worked in contrast with the vibrancy of Nova Chiu’s clothing designs.

--

Ultimately, the whole collection was mesmerising. There were a flurry of colours and shapes, all of which were captivating and a brief explanation of their 60 second appearance down the runway could not do them justice. Meanwhile, the use of makeup at the show emphasised a barely there and natural approach, whilst the sleekness of hair, combined with traditional hairstyles solidified that going back to basics is a must. In turn, this boldness combined with effortless neutrality shows that there is something that is sure to suit everyone upcoming in the Autumn/Winter trends.

BELLE SAUVAGE AW13

CUB Magazine Editor Anna Matheson's show report:

 image from http://www.theupcoming.co.uk/2013/02/16/lfw-belle-sauvage-aw-2013-collection/

image from http://whosjack.org/lfw-belle-sauvage-aw13/

A flurry of activity canvassed the Belle Sauvage backstage area 30 minutes before the show; a missing model, various stages of giant dip dyed fringes being snipped at, and a hive of Body Shop make-up artists ready to create the show's smoky eyes and statement red lip on the waiting girls. Fast forward to show time and slender figures with Japanese inspired fascinators, giant bunches and block dip dyed fringes were making their way down the Fashion Scout catwalk to retro triply beats. The clothes? A plethora of Eastern prints and tones; Tiger and Dragon prints littered the collection, whilst baroque print mini dresses with delicate lace trim and peter pan collars and block leather panels took centre stage. 

Gothic motives made a lasting effect, with some of the girls adorned with black beanies and some seriously skinny patterned leather trousers, topped off with some dominatrix style boots. The statement autumn/winter coat was absent, but in its place a collection of fur collars and capes in reds and blacks draped the models' shoulders as they slinked along the catwalk. The design duo's crowning look of the show? A monochrome blouse and skirt complete with below the knee suede black block heeled boots; perfection. 

BACKSTAGE AT FASHION SCOUT: DAY 1 - BELLE SAUVAGE

CUB Beauty Editor Sarah Harrison went backstage at Belle Sauvage, 

observing The Body Shop MUA's and Toni & Guy stylists:

The impressive queue collecting around the Freemasons Hall before Anna and I went backstage at Belle Sauvage only contributed to our eager anticipation of what would await us: the typeface and palette on the invites indicated a vibrant East meets West frenzy and I wasn't disappointed (read Anna's review here).

The collision of vibrant and muted palettes was immensely effectual, set off with a customised lipstick: created by combining exclusive new Colour Crush Lipsticks in the shades Enrapture Red and Crazy Sexy Crimson (release date of September) matching the main colour featured within Belle Sauvage's collection. The flawless make-up was contoured with the yet to be released brow palettes which were also used on brows and lips (a multi-use investment product). Sauvage's soft look embraced the essence of "young girl glamour" with a classic soft smoky eye, created with a liner smudged into the lashes - a technique the MUA's chose as it can easily be recreated at home.

Sauvage's AW13 collection was intensified with the creation of killer fringes, bright colour and incredible head pieces Anna and I witnessed first hand the blunt fringes being cut and spray painted to painstaking perfection.    The look touched on the stereotypical Japaneses school girl with elements of Oriental warriors combining a flawless look with edgy colour and lines. The futuristic element of colour was explored with blonde and black hair which was perfectly scraped back into a pair of impressively straight pigtails accompanied by the blunt fringes, which were sprayed around the perimeter of the fringe with either red, white or black.

Words: Sarah Harrison
Photos: Sarah Harrison

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